Press

LAEXAMINER.COM — March 25th, 2025. For decades, storytelling in the entertainment industry has operated within a relatively fixed structure—create content, distribute it through established channels, and hope audiences connect with it. But just as streaming technology upended the traditional cable model, artificial intelligence is now transforming how stories are conceived, produced, and delivered. “This industry is 1000% resistant to any change, at all, period. It literally

APNEWS.COM — March 25th, 2025. CENTURY CITY, CA / ACCESS Newswire / March 25, 2025 / Ateliere Creative Technologies , a leading GenAI media software solutions company, today announced a groundbreaking evolution of its flagship media orchestration platform, Ateliere Connect™ . In a bold step forward, Ateliere is moving beyond traditional media supply chains to unlock new revenue opportunities and help content creators monetize their libraries more effectively with robust vide

TMBROADCAST.COM — March 17th, 2025. Ateliere Creative Technologies has announced that Swedish national broadcaster, Sveriges Television (SVT), has executed its first software-defined live sports production during Rally Sweden 2025, the second leg of FIA World Rally Championship (WRC) in Umeå, using Ateliere Live. The WRC’s premier winter event featured drivers navigating snow-covered stages, as the company has claimed in a statement. Ateliere Live is designed to try to of

APNNEWS.COM — March 15th, 2025. If a studio wanted to re-release a film a few decades ago, they’d pull the reel from a vault, clean it up, and send it out into the world. Today, that same film might exist in half a dozen digital formats, scattered across servers and hard drives, mislabeled, duplicated, or missing key metadata. And if the metadata is wrong? It might as well not exist. This is content decay, the slow-motion disappearance of media in the digital age—not because

MSN.COM — January 29th, 2025. Ateliere Creative Technologies, a GenAI media software solutions company, has made available a new Application Programming Interface (API) for Ateliere Live , its cloud-native software solution for powering workflows for sports, reality shows, game shows, news and more. Ateliere Live uses NVIDIA GPU processing and encoding with internet-based time synchronization to enable distributed live-proxy vision mixing. The company says this “maximizes co

FUTUREMEDIAHUBS.COM — February 15th, 2025. SXSW 2025 Topaz Ballroom at The Line Hotel (Austin, Texas) Future Media Hubs x Eshap presents: Content Crossroads , a full-day event on March 10th at The Line Hotel, Topaz Room! Join thought leaders and industry changemakers from across the globe during 4 panel conversations. 10.00 - 11.00 am: How Fandom drives Modern Media Attention 11.30 - 12.30 pm: The User-Centric Era is Here 2.30 - 3.30 pm: The Product is the Message Now 4.00 -5

CEOWORLD.BIZ — February 11th, 2025. Streaming is now the default way billions of people around the world access entertainment, replacing cable TV and physical media with an endless buffet of on-demand content. As global OTT video subscriptions head toward an estimated 2 billion by 2028, the industry’s strategy has historically revolved around scaling fast to keep up with consumer demand. The speed at which streaming has become a worldwide phenomenon has left little room for r

TECHRADAR.COM — February 3rd, 2025. The market’s reaction to the latest news surrounding DeepSeek is nothing short of an overcorrection. While the enthusiasm around breakthroughs in AI often drives headlines and market speculation, this feels like yet another case where excitement has outpaced evidence. Investors should be cautious about blindly jumping on the hype train without asking the tough questions. Skepticism Around DeepSeek’s Claims DeepSeek’s assertions about its

BLINKLIST.COM — January 28th, 2025. For decades, the way we consumed entertainment felt relatively static. Television, and later early streaming platforms, offered content that was linear, predetermined, and passive. You sat back, watched, and let the story unfold on someone else’s terms. It was simple, but simplicity often means inertia: audiences were given little choice in how or when they engaged. Today, we’re seeing the edges of that experience break apart. Interactive s

FORBES.COM — January 25th, 2025. Is the CNN brand, a globe-girdling name long treasured for its far-flung correspondents reporting live on breaking news, worth what it once was? Global news coverage is expensive. In recent years, various versions of the channel have focused more on opinions and outrage than hard news. Will an online pivot to, say, offerings focused on cooking or literature or science necessarily draw audiences just because CNN is involved? “With large operato

ANALYTICSINSIGHT.COM — January 17th, 2025. The name of the game for streaming services since their meteoric rise has been simple: collect content. Building expansive catalogs of movies and shows—first through acquiring distribution rights and later by producing original programming—has been the cornerstone of their approach to attracting and retaining subscribers. The bigger the library, the bigger the draw, as platforms sought to position themselves as the ultimate one-stop

TVNEWSCHECK.COM — January 16th, 2025 The growing demand for personalized, high-quality content is driving a major transformation of the broadcast industry. Traditional one-size-fits-all programming is fading as audiences now expect tailored content delivered seamlessly across platforms. Meeting these demands requires a revolution in how live content is produced and delivered. Cloud-based live production and generative AI are key technologies driving this change, offering new

1POINT4.COM — January 3rd, 2025 Every week, millions of hours of new content are uploaded, streamed, and shared globally, as audiences demand not just more but faster, better, and tailored to their preferences.Streaming services, with their vast libraries and global reach, have set new expectations for what “immediacy” and “availability” mean. But as platforms race to keep up, the underlying question becomes: how can media companies deliver more, faster, and with greater comp

TECHBULLION.COM — December 9th, 2024 In today’s media landscape, it’s no longer enough to simply store and organize content; the role of media asset management (MAM) has shifted from archiving to orchestrating. Over the past decade, our expectations of media have transformed radically. Consumers now demand instant, curated access to content on platforms and devices of their choice, whether they’re browsing, streaming, or scrolling. This is a landscape that requires more than

CEO and Founder of Ateliere Creative Technologies, Dan Goman, shares the company's unique approach to Gen AI in the media supply chain.

Comcast is considering a fundamental restructuring of its business, exploring the creation of a separate company for its cable TV networks and potentially seeking partnerships in streaming. This shift comes as it struggles with the ongoing decline of cable TV subscribers while chasing profitability in the increasingly competitive streaming landscape. Comcast is contemplating spinning off its cable TV networks – including MSNBC, CNBC, Bravo, USA and Syfy – into a standalone co

For those of us TV fans who cut the cable cord ages ago, it's time again to cut... something. I don't honestly know what we're cutting this time exactly. But it's time to cancel all your streaming services. To use the industry term, churn out every month, and don't churn back in unless a particular service has something you just can't miss. That's right: go cancel them all. After all, how many of these ever-increasing monthly fees are you already tolerating? The average i

Netflix has reported that 60 million households watched the Jake Paul vs Mike Tyson main event live around the world, peaking at 65 million concurrent streams. Nearly 50 million households globally tuned in live for the co-main event featuring a rematch between Amanda Serrano and Katie Taylor. Additionally, the bout is likely to be the most watched professional women’s sporting event in US history. Joe Hand Promotions, the specialist in premium live sports and entertainment p

Managing large, ever-expanding libraries of digital assets is one of those unglamorous but critical challenges that defines the media production industry today. Studios, broadcast companies, and OTT platforms are all grappling with a problem that is easy to ignore until it isn’t. The sheer volume of content—video, audio, graphics, metadata—pours in with each project, and traditional storage systems simply weren’t built to handle it at this scale. Production teams are navigati

Artificial intelligence is rapidly advancing, pushing the boundaries of what’s possible across industries, and nowhere is this shift more apparent than in media production. Once reliant on labor-intensive processes, media creation now benefits from AI tools that can do everything from generating animations to edit videos to streamline workflows in record time. With AI-generated content becoming more sophisticated, the media industry is witnessing a new era where human creativ